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現代技術のおかげで、オンラインで学ぶことで人々はより広い範囲の知識（PSAT-Reading有効な練習問題集）を知られるように、人々は電子機器の利便性に慣れてきました。このため、私たちはあなたの記憶能力を効果的かつ適切に高めるという目標をどのように達成するかに焦点を当てます。したがって、PSAT Certification　PSAT-Reading練習問題と答えが最も効果的です。あなたはこのPreliminary Scholastic Aptitude Test - Reading有用な試験参考書でコア知識を覚えていて、練習中にPreliminary Scholastic Aptitude Test - Reading試験の内容も熟知されます。これは時間を節約し、効率的です。

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PSAT-Reading試験学習資料の三つバージョンの便利性

私たちの候補者はほとんどがオフィスワーカーです。あなたはPreliminary Scholastic Aptitude Test - Reading試験の準備にあまり時間がかからないことを理解しています。したがって、異なるバージョンのPSAT-Reading試験トピック問題をあなたに提供します。読んで簡単に印刷するには、PDFバージョンを選択して、メモを取るのは簡単です。 もしあなたがPreliminary Scholastic Aptitude Test - Readingの真のテスト環境に慣れるには、ソフト（PCテストエンジン）バージョンが最適です。そして最後のバージョン、PSAT-Readingテストオンラインエンジンはどの電子機器でも使用でき、ほとんどの機能はソフトバージョンと同じです。Preliminary Scholastic Aptitude Test - Reading試験勉強練習の3つのバージョンの柔軟性と機動性により、いつでもどこでも候補者が学習できます。私たちの候補者にとって選択は自由でそれは時間のロースを減少します。

現代IT業界の急速な発展、より多くの労働者、卒業生やIT専攻の他の人々は、昇進や高給などのチャンスを増やすために、プロのPSAT-Reading試験認定を受ける必要があります。 試験に合格させる高品質のPreliminary Scholastic Aptitude Test - Reading試験模擬pdf版があなたにとって最良の選択です。私たちのPreliminary Scholastic Aptitude Test - Readingテストトピック試験では、あなたは簡単にPSAT-Reading試験に合格し、私たちのPreliminary Scholastic Aptitude Test - Reading試験資料から多くのメリットを享受します。

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私たちのPSAT-Reading試験学習資料で試験準備は簡単ですが、使用中に問題が発生する可能性があります。PSAT-Reading pdf版問題集に関する問題がある場合は、私たちに電子メールを送って、私たちの助けを求めることができます。たあなたが新旧の顧客であっても、私たちはできるだけ早くお客様のお手伝いをさせて頂きます。候補者がPreliminary Scholastic Aptitude Test - Reading試験に合格する手助けをしている私たちのコミットメントは、当業界において大きな名声を獲得しています。一週24時間のサービスは弊社の態度を示しています。私たちは候補者の利益を考慮し、我々のPSAT-Reading有用テスト参考書はあなたのPSAT-Reading試験合格に最良の方法であることを保証します。

要するに、プロのPSAT-Reading試験認定はあなた自身を計る最も効率的な方法であり、企業は教育の背景だけでなく、あなたの職業スキルによって従業員を採用することを指摘すると思います。世界中の技術革新によって、あなたをより強くする重要な方法はPreliminary Scholastic Aptitude Test - Reading試験認定を受けることです。だから、私たちの信頼できる高品質のPSAT Certification有効練習問題集を選ぶと、PSAT-Reading試験に合格し、より明るい未来を受け入れるのを助けます。

PSAT Preliminary Scholastic Aptitude Test - Reading 認定 PSAT-Reading 試験問題:

1. Musical notes, like all sounds, are a result of the sound waves created by movement, like the rush of air
through a trumpet. Musical notes are very regular sound waves. The qualities of these waves --how much
they displace molecules, and how often they do so--give the note its particular sound. How much a sound
wave displaces molecules affects the volume of the note. How frequently a sound wave reaches your ear
determines whether the note is high or low pitched. When scientists describe how high or low a sound is,
they use a numerical measurement of its frequency, such as "440 vibrations per second," rather than the
letters musicians use. In this passage, musical notes are used primarily to

A) provide an example of sound properties common to all sound.
B) explain the connection between number and letter names for sounds
C) illustrate the difference between human-produced and nonhuman produced sound.
D) demonstrate the difference between musical sound and all other sound.
E) convey the difference between musical pitch and frequency pitch.

2. In conclusion, it seized first the corpse of the daughter, and thrust it up the chimney, as it was found; then
that of the old lady, which it immediately hurled through the window headlong. As the ape approached the
casement with its mutilated burden, the sailor shrank aghast to the rod, and, rather gliding than
clambering down it, hurried at once home--dreading the consequences of the butchery, and gladly
abandoning, in his terror, all solicitude about the fate of the Ourang-Outang. The words heard by the party
upon the staircase were the Frenchman's exclamations of horror and affright, commingled with the
fiendish jabberings of the brute.
I have scarcely anything to add. The Ourang-Outang must have escaped from the chamber, by the rod,
just before the break of the door. It must have closed the window as it passed through it. It was
subsequently caught by the owner himself, who obtained for it a very large sum at the Jardin des Plantes.
Le Don was instantly released, upon our narration of the circumstances (with some comments from Dupin)
at the bureau of the Prefect of Police. This functionary, however well disposed to my friend, could not
altogether conceal his chagrin at the turn which affairs had taken, and was fain to indulge in a sarcasm or
two, about the propriety of every person minding his own business.
Which selection best rephrases "I have scarcely anything to add" starting of 2nd paragraph?

A) I only have a little bit more to tell.
B) I've told you everything I know.
C) I'm concerned I can't add much more.
D) I'm afraid of what I have left to tell.
E) I don't know anything else to add.

3. Given ______ politicians can generally raise campaign financing easier than challengers, Lt. Governor
James should have the advantage.

A) honest
B) entrepreneurial
C) gregarious
D) incumbent
E) opulent

4. Mathew ascended three flights of stairs--passed half-way down a long arched gallery--and knocked at
another old-fashioned oak door. This time the signal was answered. A low, clear, sweet voice, inside the
room, inquired who was waiting without? In a few hasty words Mathew told his errand. Before he had
done speaking the door was quietly and quickly opened, and Sarah Leeson confronted him on the
threshold, with her candle in her hand.
Not tall, not handsome, not in her first youth--shy and irresolute in manner--simple in dress to the utmost
limits of plainness--the lady's-maid, in spite of all these disadvantages, was a woman whom it was
impossible to look at without a feeling of curiosity, if not of interest. Few men, at first sight of her, could
have resisted the desire to find out who she was; few would have been satisfied with receiving for answer,
She is Mrs. Treverton's maid; few would have refrained from the attempt to extract some secret
information for themselves from her face and manner; and none, not even the most patient and practiced
of observers, could have succeeded in discovering more than that she must have passed through the
ordeal of some great suffering at some former period of her life. Much in her manner, and more in her face,
said plainly and sadly: I am the wreck of something that you might once have liked to see; a wreck that
can never be repaired--that must drift on through life unnoticed, unguided, unpitied--drift till the fatal shore
is touched, and the waves of Time have swallowed up these broken relics of me forever.
This was the story that was told in Sarah Leeson's face--this, and no more. No two men interpreting that
story for themselves, would probably have agreed on the nature of the suffering which this woman had
undergone. It was hard to say, at the outset, whether the past pain that had set its ineffaceable mark on
her had been pain of the body or pain of the mind. But whatever the nature of the affliction she had
suffered, the traces it had left were deeply and strikingly visible in every part of her face. Her cheeks had
lost their roundness and their natural color; her lips, singularly flexible in movement and delicate in form,
had faded to an unhealthy paleness; her eyes, large and black and overshadowed by unusually thick
lashes, had contracted an anxious startled look, which never left them and which piteously expressed the
painful acuteness of her sensibility, the inherent timidity of her disposition. So far, the marks which sorrow
or sickness had set on her were the marks common to most victims of mental or physical suffering. The
one extraordinary personal deterioration which she had undergone consisted in the unnatural change that
had passed over the color of her hair.
It was as thick and soft, it grew as gracefully, as the hair of a young girl; but it was as gray as the hair of an
old woman. It seemed to contradict, in the most startling manner, every personal assertion of youth that
still existed in her face. With all its haggardness and paleness, no one could have looked at it and
supposed for a moment that it was the face of an elderly woman. Wan as they might be, there was not a
wrinkle in her cheeks. Her eyes, viewed apart from their prevailing expression of uneasiness and timidity,
still preserved that bright, clear moisture which is never seen in the eyes of the old. The skin about her
temples was as delicately smooth as the skin of a child. These and other physical signs which never
mislead, showed that she was still, as to years, in the very prime of her life.
Sickly and sorrow-stricken as she was, she looked, from the eyes downward, a woman who had barely
reached thirty years of age. From the eyes upward, the effect of her abundant gray hair, seen in
connection with her face, was not simply incongruous--it was absolutely startling; so startling as to make it
no paradox to say that she would have looked most natural, most like herself if her hair had been dyed. In
her case, Art would have seemed to be the truth, because Nature looked like falsehood. What shock had
stricken her hair, in the very maturity of its luxuriance, with the hue of an unnatural old age? Was it a
serious illness, or a dreadful grief that had turned her gray in the prime of her womanhood? That question
had often been agitated among her fellow-servants, who were all struck by the peculiarities of her
personal appearance, and rendered a little suspicious of her, as well, by an inveterate habit that she had
of talking to herself. Inquire as they might, however, their curiosity was always baffled. Nothing more
could be discovered than that Sarah Leeson was, in the common phrase, touchy on the subject of her
gray hair and her habit of talking to herself, and that Sarah Leeson's mistress had long since forbidden
every one, from her husband downward, to ruffle her maid's tranquility by inquisitive questions.
What makes the term "unnatural" ironic as used in the passage?

A) The gray hair was any more unnatural than any other markings was apparent.
B) It was unusual that someone so young would have such markings.
C) We know her to be only around 30 with all these marks.
D) The markings would be visible in every part of her face.
E) For a young girl in every other aspect, this pain caused graying hair.

5. The drill instructor at the Marine Corps Recruiting Depot was quick to correct the ______ recruit when he
was referred to as "dude."

A) imperious
B) impudent
C) loquacious
D) gregarious
E) rascal

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